Anne Mette Hjortshoj
Encarna Soler Peris
These are the eight wood fired kurinuki sake vessels I will have in this exhibition, each with its own signed wooden box:
This is the curatorial statement I wrote for the exhibition:
Sake, an alcoholic beverage made from fermented rice, has been one of Japan’s most ceremonious beverages since the 1300’s. Today, sake consumption is enjoying a global expansion, with breweries opening throughout North and South America, China, Southeast Asia, and Australia. Clay as a material for making utilitarian objects has been in existence since around 14,000 BC, beginning in East Asia, which includes China and Japan. The Japanese culture surrounding sake consumption developed vessels specifically for the pouring and drinking of this beverage.
The terms guinomi (cups) and tokkuri (flasks) are most synonymous with shuki (sake ware) and the drinking of sake. The viewer, when looking at all the various styles of work, may ask, “What’s the criteria for a good sake vessel”? First and foremost, the bulk of an answer centers on how drawn one is to the aesthetics of a particular piece. Of course, one can’t escape competency by the maker regarding the weight, its balance when held and, in a cup, how it feels against the lips. None-the-less, the character of a vessel makes the overall experience unique and special, providing an artful ambience to any setting. Robert Yellin, considered to be one of the most noteworthy authorities on Japanese ceramic sake vessels, states: “Some things in life have a natural charm, the ability to draw you in and absorb your attention to the exclusion of all else, if even for only a few moments. The combination of good sake and . . . yakimono (pottery) is one such simple joy. Although there is much more to yakimono than only tokkuri (flasks) and guinomi (cups), the overlap of this special niche of the pottery world with the world of sake buzzes with a magic all its own.”
This exhibition seeks to expose the viewer to a smattering of the ceramic sake vessels being made by contemporary artists throughout the world. While demonstrating the aesthetic diversity among sake ware being made today, the intent is showcasing the unity brought forth by a single passion: the love of making shuki. Kanpai!
- Lucien Koonce